Keep it in your pants nintendo ad 90s1/22/2024 ![]() ![]() Luckily, the movie doesn’t act as if the outside world doesn’t exist. Mid90s has a very slow pace, developing Stevie’s character proper and fleshing out our ragtag crew. You can see the genuine joy these young men had making this movie, and I became more and more invested the deeper I got. There are also some scenes of heavy underage drinking, and an instance of self-harm that could be a bit triggering but overall it’s a kickflipping good time from start to finish. With the 90’s come plenty of ni**as and f*gs being dropped along with the classic over use of the word sick. Hill does an impeccable job of nailing the lingo of the 90’s, one of the hardest aspects of writing about a specific era. The hip-hop of the 90’s is on full display as our boys climb fences to create their own makeshift skatepark, hang out with girls with belly shirts and spaghetti straps, cruise through the streets, and fuck shit up like a kid is supposed to. The music in the film is extremely well done. Jonah Hill definitely pulls the best out of these young actors, as there’s an electric dynamic between the close-knit group of three white boys and two boys of color (one who’s skateboarding talents could take him somewhere one day). What we see from that point on is the true maturation of a boy in the 90’s and his evolution from lonely kid to one of the boys, stealing from Mom for the first time to landing his first ollie. Set in LA, Stevie takes notice of the local disrespectful skater squad and bides his time before infiltrating the ranks and carving out space as the new runt of the litter. It really opened my world up.” This goes to show you how one new development in your life can alter your place in history, and that’s what Mid90s is all about. Hill said it best in his GQ interview, “Skating broke me out of a racial and socio-economic bubble. From Jordans to Source magazines, it is clear Stevie has an idea of what being cool is, and we soon see him get wrapped up in a life way cooler than he anticipated, much to his mother’s disapproval. Despite the bruises and head trauma, Stevie worships his brother’s Eminem inspired swag and revels in every aspect of his 90’s nostalgia-filled room. This goes down a few times throughout the short and sweet 84-minute runtime, but what Hill does beautifully is show you how duality plays into nearly all parts of our sometimes shitty lives. This is full on black and blues being formed upon impact of said haymakers. Don’t get it twisted…this isn’t a playful big bro roughhousing with his lovable kid brother. He is immediately seen getting the brakes beat off him by his 18-year-old brother. Thirteen-year-old Stevie is our movie’s protagonist. Jonah Hill uses his own upbringing to tell this tale that starts off with the realness. At its heart, Mid90s is a quintessential coming of age story about an abused boy who finally finds his path in life after linking with a crew who help mold him into the teen he never knew he wanted to be. Written and directed by Jonah Hill, this movie is straight out of the Superbad division of films, but with much more grounded storytelling and honesty. Late millennials (born after ’89) will get a crash course in what it was like to grow up without instant communication, finding a squad in your hood to call your own, chillin’ with the homies sans social media and navigating the deadly ramifications of peer pressure. No shade, but this movie is tailor-made for 80’s babies who know what’s really good. Yup, once upon a time it was cooler to be street smart instead of tech-savvy. The video game takeover, the evolution from the golden age of hardcore hip-hop to flashy rap, the explosion of skater culture and the last great generation of kids that hit the playground like we owned it, wrote love letters without a care, went to the library cuz homework, scraped knees cuz youth, and had curfews instead of being glued to a phone screen. ![]() The era that was the years of 1990-99 was interesting, to say the least. ![]()
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